(Verse 1) Blue Canary's self-interpretation of "Birdhouse in your Soul" by They Might Be Giants

"Birdhouse in Your Soul" is my favorite tune by They Might Be Giants. It's not my only favorite, but it's at least a favorite. To be honest, I'm not sure if I really like it at all, but what it is, has been, and always will be...

My name is Blue Canary (I'll tell you how to spell that later). This pet project has been a bee in my bonnet for quite some time. Please bear with me as I exposit my song for you. It is quite puzzling lyrically speaking, but like a good nursery rhyme, you can enjoy it without understanding it. It can comfort you when you lie down at night and when you wake up in the morning. In fact, perhaps you'll sleep better if I didn't try to shed some lite on this well kept secret. But I insist you listen, even if it takes some time.

First things first. My lyrics are in the form of DIRECT-REVELATION from ME to YOU. Who am I? Good question. That might depend upon who you think YOU are. In anycase, I want you to trust me; that's the only way I can truly be your friend; that's the only way you can understand me.

My song begins as a RIDDLE:

[Verse 1]

1) a\ I'm your only friend
2) b/ I'm not your only friend
3) a\ But I'm a little glowing friend (c)
4) b/ But really I'm not actually your friend
5) ab= But I am (c)

The first thing you should know about me is how I (in each line) relate to being (i.e. 'am') your FRIEND (in the first 4 consecutive lines). Each line qualifies the preceeding line, beginning with a statement of friendship (a-thesis) followed by how I'm not such a friend (b-antithesis). This creates a paradoxical tension that begs to be resolved by the next statement (c-synthesis). But such a resolution may have its own problems begging to be resolved, ad infinitum. Furthermore, the particular tension or synthesis created with each passing line serves as a kind of index for the issues which will be elaborated in the rest of my song.

(Line Pair 1-2)
I define our social relationship in Lines 1 & 2 as a FRIENDSHIP considered first EXCLUSIVELY (a-thesis) and then INCLUSIVELY (b-antithesis). Line pair 1-2 forms a contrasting parallelism with the lexical pattern of "I'm [+/-] your only FRIEND". This is a contradiction on the surface, but rhetorically it gives occassion for phonetic emphasis upon the word "only" in "I'm not your only friend." Thus, in one sense our friendship is defined exclusively and in another sense it is inclusive. Socialogically this tension makes most sense if you consider my assertion in Line 1 as a jealous, possessive claim: "I'm the only one who deserves to be called your friend." Line 2 qualifies: "but you only consider me as one other friend." This implies a COMPETITION for the status of exclusive friendship. The condition of our relationship is really kind of depressing, but I'll do my best to persuade you to make a relatively more exclusive place for me in your life.

(Line 3) What kind of friend am I that warrants such exclusive attention? Confused by the abstract dialogue in Lines 1 & 2? Let me offer a concrete solution (c-sythesis). My VISUAL FORM will help you understand where I am coming from and reaffirm my friendly character (a-thesis). My form is so central to my self-disclosure, I've made it the centerpiece of my riddle: 1-2-(3)-4-5. The adjectives give you a visual clue: "I'm a little glowing FRIEND." Expecting something bigger and brighter? something with more glitter and glamour? You might find my image childish compared to your other friends, but I hope you're not too shocked. It is important for you to know that I am physically safe, even CHILD-SAFE. The form of my SIZE and LUMINOSITY is the really safest thing for you in your environment.

(Line 4) Safety first, but why should safety be so important for you? "But really, I'm not actually your FRIEND." To tell you the truth, in a fundamental sense, I'm actually not safe or friendly at all (b-antithesis). I speak in terms of "really" and "actually" because if our relationship is to be real it must be based upon the TRUTH about me, however uncomfortable that may be to you at first. The truth is that you will not properly respect and appreciate how SAFE I am, unless you also know how DANGEROUS I am. I am quite possessive; trust me, my safety precautions are for your good.

(Line 5 ) To sum everything up: "I am" (c-synthesis). Okay, well to be honest, Line 5 is actually an ambiguous junction serving both to complete the thought of lines 1-4, while at the same time introducing the chorus (I am...Blue Canary). However, its first function is to abruptly and unexpectedly finish the paragraph of thought. Notice the shift from the "I'm" contraction (in Lines 1-4) to its more emphatic form "I am". Secondly, notice that by dropping "FRIEND" it breaks the syntax structure of lines 1-4 ("I'm + (modifiers) + FRIEND"). Shifting from the conjunction form while dropping "friend" serves to affirm both the thesis (I am) and antithesis (not your friend), respectfully, by deliberately refusing to continue that dialogue syntactically.

The 8 beat musical pause before the chorus also supports a closure in thought as does the movement in melody. Both the chord of line 5 and tone "am" in line 5 returns to the tonic of line 1 after falling through lines 2-4.

Prospectively, the shorteness of line 5 is intended to be especially jarring given that each line from 1-4 grows in length. This shortness, plus the intonation-inflection from "I" to "am" expects the resolution of the chorus. It leaves you "hanging".

While this final "I am..." serves as a good introduction for my name "Blue Canary" in the chorus, it also serves as my NAME. Thus extending the thought of line 4: "I'm not actually your friend, but I am (who I am)." If you remember the Bible, "I AM" is the primary covenant name of God. (While you're at it, keep your Bible handy.) At a crucial point of self-disclosure in Exodus, God reveals his name to Moses to be a four-letter word YHWH, "I AM (who I AM)" or "I will be (who I will be)". Signifying both God's holy self-subsistence or aseity(ie. his nature is foreign to this creation and he depends only on himself) and his faithfulness to his covenant promises to his people (i.e. that he will remain with them for their welfare, security, and future). So, if my SIMPLE name leaves you hanging, it is because it carries INFINITE and ETERNAL significance. My name says it all.

Thus, my riddle can be seen as an allegory echoing the paradox of God's own self-revelation:

1) a\ God alone deserves to be called your friend (Lord & Savior)
2) b/ However, you consider him as one among other friends (idolatry)
3) a\ But His visual form is safe indeed (incarnation)
4) b/ But God is dangerous (holiness)
5) ab= He is one. there is none like Him (holy and faithful)

(To be continued...in the chorus)

"the exile" (Jan 2002)

Who would've thought we'd see such a dawn, the blind of the scorch from the west?
What screeching sorrow muffles to the ear, a song in the silence of its rest,
When clenched mouth doth sour, and tongue the driest pallet doth taste,
Where all touch is lost and all pain is felt, no hand to hold, no hand.
Why, my Father, endure this stench of time? -- your Spirit knows.
How long will you hide your face?

Psalm 5 - purpose and method of study

Pastor Scott asked me to lead the devotions for our men's prayer breakfast April 10th. We've been going through the Psalter and have reached Psalm 5. I intend to use this blog to trace my preparation for the devotional.

Study Procedure

First, I will spend time familiarizing myself with the psalm in the English. It will be important to refresh my memory on what a "psalm" is as a literary genre, and try to answer the question "what kind of psalm is this?" I will then proceed to analyze the Hebrew grammar noting any significant textual variants, and compare how various translations interpret the original (e.g. English translations, but also the Septuagint (LXX)). I will proceed to determine the poetic structure of the psalm, rhetorically and thematically. I will move into broader contextual issues that help me understand the meaning of the psalm in its canonical context (e.g. thematic or theological connections to adjacent psalms, how the psalm relates to the history of God's salvation, does it quote or allude to other Scriptures?) Then I will reflect upon how the psalm may speak to Christians, respecting how subsequent authors in Scripture use (or dialogue with) its text or theology to help us understand God's salvation in Christ, the identity of His people, and how we are to be faithful to His revelation.

To begin, here is the text of Psalm 5 (English Standard Version).

TEXT: Psalm 5:1-12 ESV
Psalm 5:1 TO THE CHOIRMASTER: FOR THE FLUTES. A PSALM OF DAVID. Give ear to my words, O LORD; consider my groaning.
2 Give attention to the sound of my cry, my King and my God, for to you do I pray.
3 O LORD, in the morning you hear my voice; in the morning I prepare a sacrifice for you and watch.
4 For you are not a God who delights in wickedness; evil may not dwell with you.
5 The boastful shall not stand before your eyes; you hate all evildoers.
6 You destroy those who speak lies; the LORD abhors the bloodthirsty and deceitful man.
7 But I, through the abundance of your steadfast love, will enter your house. I will bow down toward your holy temple in the fear of you.
8 Lead me, O LORD, in your righteousness because of my enemies; make your way straight before me.
9 For there is no truth in their mouth; their inmost self is destruction; their throat is an open grave; they flatter with their tongue.
10 Make them bear their guilt, O God; let them fall by their own counsels; because of the abundance of their transgressions cast them out, for they have rebelled against you.
11 But let all who take refuge in you rejoice; let them ever sing for joy, and spread your protection over them, that those who love your name may exult in you.
12 For you bless the righteous, O LORD; you cover him with favor as with a shield.

Sight Under Construction

Now then, let's begin.
If you've come expecting answers here, why not be patient?
If you're still looking for a final draft, it's right there.